My work is an ongoing account, a product of negotiating stimuli from “everyday” happenings to the media’s splurge. I respond to the varied visual phenomena with forms and ways of marking. To be clear, it is the organization of visual elements that I am interested in. To arrange and record is to acknowledge and to reconcile. And as a student and product of Art History, I tend to combine numerous (informed) techniques in each work: such as, thick “frosting-like” rainbows of oil, a soft metal or natural linen surface, Asian inspired techniques and images, graphic based images of the computer generation, graffiti-born affects, and kitsch-based floral elements, all working together in an arranged format creating a sort of “functional order,” often within the landscape template.

I aim to emulate the 21st century’s overarching perspective on history and current events, with an emphasis on personal translation. That is, I work to be a conscious contributor to the storehouse of expression that is our contemporary mythology.